She went to school around Boston Bay, and actually enjoyed the fog, snow and cobblestone streets. If they attended the opera, she attended the opera. Probably the source of that dark and mysterious attribute in her work. Deborah herself had very little interaction with other children, and grew up in a world of adults. She was born into a well to do family in New England that preferred their extreme privacy. But her commercial influence extended to ads for Bloomingdale’s, Bruno Magli, Nike, Ralph Lauren and Macy’s. Her photos were actually considered more art than fashion. However, her dreamy images were a new direction for fashion at the time. Along with Helmut Newton and Guy Bourdin, she essentially changed fashion photography as it was known. (in her mind) She, along with Sarah Moon, brought a darker, dreamy mood to photography in the 70’s. All she knew was she didn’t want to change a medium format back! A NaturalĮditor at Harper’s Bazaar, but had a vision that the photographers at the time weren’t living up to. She knew they were Nikons, (even an EM!), but little else. Her first camera was a Pentax K1000, and she always used the simplest of 35mm cameras throughout her career. Was born Jand was maybe the most stylistic American photographer of our time.
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